A few nails and a hammer are all you'll need to hang your sculpture. Look for a place where the design is joined or notched and put the first nail there. Use a second and possibly a third nail, if the piece is large, in other joined or notched design elements within the sculpture to straighten and secure it to the wall. Make sure that you avoid placing a nail into an eye or mouth, as that will draw attention to the nail. You want the nails to "disappear" into the piece.
Le Primitif Galleries Haitian Recycled Steel Oil Drum Outdoor Decor, 23 by 23-Inch, Palm Tree with Foliage
Le Primitif Galleries began working with artists in Haiti in 1976 to import the finest quality, recycled steel oil drum sculptures. Because each piece is hand-chiseled, each piece is an original work of art. The designs are chalked out on flattened steel oil drums and then cut out with a mallet and chisel. Georges Liautaud, a blacksmith, began this art form in the late 1950s. Many talented sculptors have since followed. These works grace such prestigious institutions as the Museums of Modern Art in Paris and New York. This beautiful, hand-chiseled wall hanging was crafted in Haiti from recycled steel oil drums and can be displayed inside or outside to elevate the decor around your home. This Palm Tree with Foliage measures approximately 23 x 23 x 0.5 Inch.
Haitian artisans hand cut and embossed from steel oil drums this 23-inch diameter painted piece depicting a tree of life. With a high-gloss varnish, this piece perfect for hanging indoors or out.
Haitian metal sculptures all come with a clear, weather-proof coating but if exposed to the elements, they will begin to rust over time. This isn't necessarily a bad thing, but if it's not the look you're going for, fear not. Just pick up a can of spray on enamel clear coat and go to it. Once a year will do it. Piece of cake! In the village of Croix-des-Bouquets, Haiti, the air rings with the sound of metal banging against metal. Workshops line the streets of the village and outside each are stacks of discarded 55-gallon drums awaiting transformation. To begin the process, the tops of the barrels are removed and the open barrel is stuffed with straw and dried banana leaves and then set ablaze. This burns out the residue and old paint and strengthens the metal. After the barrels have cooled, they are slit down the side, pried open, pounded flat and sanded down, giving the artist a smooth flat surface, much like a painter's canvas. The artist chalks his design onto the metal and then, using a hammer and chisel, begins the work of cutting the sculpture and giving it form, detail and dimension. When he is satisfied with his results, he pounds his signature onto the sculpture and seals it with a protective, weather-proof finish.